2001-01-16
Dear Diary: Okay, so say you're at a welcome home party and the guest of honour is a man who's spent over four years alone on a tropical island talking to a blood-smeared volleyball. Now, is it just me, or would you make sure all through the party that you were facing this man and that you were aware at all times of where the exits out of the room might be? Believe me, *I* would, even if he WAS Tom Hanks. And that, in a nutshell, is why I simply hated the last twenty minutes or so of the movie Cast Away. Because, see, the movie pretended that you could go through being utterly alone on an island for years, basically go a little crazy, but when you returned to civilization you'd miraculously pull it together in a heartbeat. They threw the old Hollywood Happy Ending Machine into overdrive for the end of that movie. Poop on that I say. Double poop on that. The rest of the movie was great, a wonderful study of how hard it would be for we modern folks to survive in a world where nothing plugs in, everything has to be fashioned by hand, and your biggest resource is your mind and spirit. I would be toast in a situation such as that in, oh, 46 hours, 10 minutes and 42 seconds. Approximately. Take away my microwave and the food situation gets dire fast, eh. Fortunately, I'm married to a throwback to another time, a time when people understood how to make what you need with your hands. Believe me, I get cast away anywhere and I'm making darned sure I have the spousal unit with me. Which brings me to a TV show Paul and I've come to adore, a British TV show called Junkyard Wars that runs on The Learning Channel. As the review I've sent you to explains: Where else can you see ordinary folks turning junk into amphibious vehicles, cannons, power pullers, land yachts, and other seemingly impossible machines? Before I watched the movie Cast Away, I felt kind of guilty watching Junkyard Wars. Now I know I've been storing up valuable life experience in case I'm ever shipwrecked on an island. No chatting to a blood-smeared volleyball for this woman, nosireebob! Of course, if the island doesn't have an extensive junkyard and every tool known to man, I'm in deep doo doo, eh. We'll cross that bridge when we get to it. --Marn
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This template is a riff on a design by the truly talented Quinn. Because I'm a html 'tard, I got alot of pity coding to modify it from Ms. Kittay, a woman who can make html roll over, beg, and bring her her slippers. The logo goodness comes from the God of Graphics, the Fuhrer of Fonts, the one, the only El Presidente. I smooch you all. The background image is part of a painting called Higher Calling by Carter Goodrich which graced the cover of the Aug. 3, 1998 issue of The New Yorker Magazine. Kids, don't try viewing this at home without Netscape 6 or IE 4.5+, a screen resolution of 800 X 600 and the font Mead Bold firmly ensconced on your hard drive. �2000, 2001, 2002 Marn. This is me, dagnabbit. You be you. |